Artist Kate Passingham uses pastel and charcoal to capture emotions and the essence of her subjects. See more of her work by visiting her website.
I’ve lived near Chichester on the South Coast of England for over a decade now, just a short walk from the sea, which is an inspiration in itself. I have always drawn—mainly people and creatures, but I was only given the chance to paint seriously three years ago after completing a Foundation Diploma at West Dean College in West Sussex.
This gave me the encouragement to re-discover new and exciting ways of using pastels and other mediums that I’d been searching for, although I’ve long since concluded it’s a continual work in progress, an evolution.
I’m endlessly fascinated by faces, both human and animal.
I’m especially fascinated by human faces, with all the emotions, thoughts and stories that dart and glimmer behind the eyes. I want to capture the essence and intensity of my subject, whoever and whatever they may be—hoping to leave an impression, possibly with the ghost of another narrative just below the surface.
I reference my own photos as well as rekindled memories from my use of old family slides which evoke the feeling of being suspended in the past. I spend a great deal of time searching through photos until someone or something finally reveals itself.
Most often what I’m looking for is just tucked away in the background, snatching a passing moment or direct gaze. They are used more as a guide; I don’t directly copy a photograph.
I find, many times, that a quite different face can reveal itself unexpectedly during the painting process.
I’ve long been captivated by pastels and am enthralled by the immediacy and intensity of their colours and their incredible versatility.
I enjoy experimenting with unusual grounds and surfaces such as wood, metal, resin and 22 karat gold and silver to add different dimensions.
This also challenges me to create something more impactful and unexpected.
I have been influenced by iconography, the Pre-Raphaelites and the Arts & Craft movement, so my work frequently and unintentionally reflects this; perhaps in a more contemporary way, but with naturalism, detail and the combination of precious metals I hope to add a preciousness and timeless quality.
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