Artist Colin Goldberg presents his fascinating portfolio, created in a style he calls “Techspressionism.” Learn more about his work by visiting his website.
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“San” Oil, India Ink and Pigment Print on Linen, 24” x 38”
My work explores the intersection of abstraction and technology. I describe my visual language as “Techspressionism,” which I define as “An artistic style in which technology is utilized as a means to express emotional experience rather than impressions of the external world.”
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“Nama” India Ink, Acrylic and Pigment Print on Linen, 16” x 24”
My art is informed by a diverse range of sources, including the Abstract Expressionist painters of the 1950’s, 3D wireframe models and Japanese Shodo calligraphy.
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“Nimbus” India Ink, Acrylic and Pigment Print on Paper, 22” x 30”
My formal art education spans traditional and digital media. As an undergraduate student, I studied painting under Angelo Ippolito, a second-generation Abstract Expressionist painter. He opened my eyes to abstraction and encouraged me to move to New York City after my graduation in 1994. I lived and worked first in Williamsburg, Brooklyn, and then moved my studio to Manhattan’s East Village.
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“Kohaku” India Ink and Pigment Print on Paper, 12” x 18”
It was the early days of the web, and I began working as a freelance designer to support my studio overhead, launching brands such as Snapple and Popular Science online. It was at that time that I began to incorporate digital tools into my artwork.
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“Kumonosu” India Ink and Pigment Print on Paper, 12” x 18”
This started with a series of abstract vector-based digital compositions, drawn on a Wacom tablet in Adobe Illustrator. Eventually this led to experimenting with printing my compositions directly onto painted surfaces using a modified inkjet printer.
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“Okāsan” India Ink and Pigment Print on Paper, 22” x 30”
On the basis of this work, I was offered a full scholarship into the MFA Computer Art Program at Bowling Green State University in Ohio in 2005. Over the course my graduate studies, which were completed in 2008, I developed a large body of computer-assisted paintings and works on paper, as well as laser etchings in stone and wood, which expanded upon the technological visual vocabulary I was developing.
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“Ryū” India Ink and Pigment Print on Paper, 12” x 18”
Around this time I also began to incorporate Sumi ink painting in my work, inspired by my maternal grandmother Kimiye who had been born in Japan and was an accomplished calligrapher and teacher.
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“Matsuri” India Ink and Pigment Print on Paper, 12” x 18”
Recent grants from the Pollock-Krasner Foundation and the New York State Council on the Arts have helped me add a large-format printer to my studio and dedicate time to developing my studio practice. I also spent a month as an artist-in-residence at The Studios of Key West, which was an amazing experience that led to a solo exhibition and a syndicated interview on PBS.
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“Sentai” India Ink and Pigment Print on Paper, 12” x 18”
Press coverage in publications such as WIRED and The New York Times has also helped to expose my work to a wider audience, and within the last few years, my work has been acquired into several permanent collections, including the Pollock-Krasner House and Study Center, the Islip Art Museum and Stony Brook University Hospital.
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“Neko” India Ink and Pigment Print on Paper, 22” x 30”
Recently, I made the decision to rebuild my site for commerce, allowing the public to purchase original works and prints directly online. Because of the web and platforms like Instagram, I feel that artists have an opportunity to embrace the changing economy of the internet and re-invent the power structures of the art world which have been in place for so many years.
Artist Colin Goldberg invites you to follow him on Facebook, Instagram and Twitter.
I love her work. Very unique.